Well here, at last, has come to pass: B'ork has let out new album Volta. Probably, exaggeration will not tell, that the music world waited for this event having concealed breath. Last works Icelandic e`l'fa also have divided music fans into two opposite camps: one categorically did not accept new, more complex and refined style B'ork, and others, on the contrary, welcomed a withdrawal of the singer from pop-standartov aside avant guarde. And Volta should become the final certificate of what way has preferred B'ork. Managers of a label actively convinced us that the new plate is a returning to and the most commercial album islandki. But, I believe, the present admirers of the singer guessed, that here all not so all is simple. Rather talented composer whom B'ork, without doubts, is, simply is not capable to 2.5 drive hard notebook win back back, to cross out the creative evolution and to return to an initial point... And even if it also will try to set to itself(himself) such problem, the result will be unpredictable. So it has turned out actually? Let's in detail consider trek-list an album. The first single to an album perhaps, a unique track from Volta with powerful hit potential like. And not in the last instance it is a merit of fashionable producer Timbalenda which helped B'ork with work above bats Earth Intruders. Really, owing to skilful use of electronics number sounds very fashionably and e`ffekto. And piquancies adds perkussiya with the African smack. However, by way of the most musical material it, certainly, pure B'ork style melodiki at once is recognized. The second track the excellent certificate in favour of �avangardnosti� an album. The song begins with vnetonal'nogo introductions of copper wind intstruments, and they in the further (both 2.5 drive hard notebook in Wanderlust, and in subsequent numbers) will dominate over a musical fabric of support. Certainly, bats here too are present, but they carry out more likely a role of rhythmic "skeleton" on which vocal stratifications (greetings are increased from!) and accompaniment of wind section. But the most surprising in a track the basic vocal line which by the end of a song expands up to really space scales. It seems, that voice B'ork sounds otkuda-to from heavens... The third song � the big surprise for admirers B'ork. The matter is that it is a duet with Anthony Khegarti (Antony And The Johnsons). Before the singer did not please us with duets, exception became only well-known of a soundtrack to � Dancing in darkness �, sung with Volume York and brought B'ork a nomination on "Oscar". And Dull Fame Of Desire it is quite worthy "progenitrix" - melodika here not less expressive, and musical development � not less 2.5 drive hard notebook impressing (support - again copper wind intstruments). And the second unexpectedness � the text. In a basis of a duet Tyutchev taken B'ork from film of Tarkovsky's �Stalker� the poem was necessary. One more track, sprodyussirovanny'y Timbale`ndom Innocence. Aggressive bats, every possible electronic "lotions" and an elastic melody of all this generates enough ershistoe and prickly sounding. The song will be the second single from an album. However, too neformatny'y and not comfortable sound (something coming nearer to Where Is The Line from Medulla) can push away people who wait from music only for delight for hearing. As we remember, in east (particularly Japanese) motives were very strong. B'ork even used original east tools (sho). And in fifth track Volta this tradition has received continuation. Only this time we hear sounding the Chinese string tool pipa (something of type of a lute) on a background bitov 2.5 drive hard notebook � a la marimba � (that, naturally even more, strengthens oriental'ny'y effect). Certainly, it has been made not simply owing to desire � to play in the East �, but exclusively from art reasons. The matter is that verses of a song in which it is spoken about transitoriness terrestrial and values of each instant of existence, in many respects are close to traditional east philosophical doctrines. That is why it is necessary to recognize the musical decision of a song optimum. Interestingly and here that: bats and folk tunes pipa constantly repeat, that together with lyrical voice part B'ork creates lulling effect. But approximately in the middle of a song idyll suddenly collapses dissonantny'm intrusion of copper wind intstruments in words when you and I have become corpses (when you and I become corpses). Very bright kompozitorskaya a find! The next surprise for admirers B'ork. Remember the fifth track (tool number under name Hunter Vessel) from ? Aggressive dirty chords at copper wind intstruments... And so Vertebrae by Vertebrae it Hunter Vessel plus a new voice part in execution B'ork. 2.5 drive hard notebook And as a result number makes much stronger impression, than the tool original. However, it is necessary to consider, that Hunter Vessel has been written for film Drawing Restraint 9. And as accompaniment to a urbanistic stage with which the picture Matthew Barni begins, this track carried out the function on all 100. However, in otry've from a video series it caused bewilderment. Now we have received absolutely independent composition - bright and artly convincing. After agressivno-mrachnoy Vertebrae by Vertebrae the seventh track is perceived almost as hit on heavens where it is possible to soar carefree in clouds and where terrestrial gravitation is not felt any more. Absolutely improvizacionnoy, udivil'no free flight melody B'ork is accompanied with three french horns, but their party is practically deprived any ponderousness, despite of the average register. More likely, on the contrary they create sensation of an air pillow. If in the fifth track we marked east trends eighth number returns to us hot breath of the African continent. And, it any more imitation, as in Earth Intruders! In Hope we hear original sounding the West-African tool kora. 2.5 drive hard notebook However, as a whole the song will be weaker, than all the above described tracks. As it was already spoken, in creation of an album took part Timbale`nd. And let it is not declared in credits the ninth track, its influence here, perhaps, most osch'utimo. Not only that primodnenny'e bats look bliznecami-brat'yami timbale`ndovskih bitov Innocence, so also vocal line B'ork is more similar to the recitation (or re`p-chitku), rather than on singing. As if to the text it should be taken on arms to all revolutionaries of Northern Ireland, Abkhazia, South Ossetia, Taiwan and other restless republics. B'ork has devoted a song to Faeroess (being between Iceland and Norway, however, formally belonging Denmark), but, under some messages, to it have not remained the Scottish nationalists are indifferent also. It is already known, that Declare Independence will be the third single from Volta. And a clip who will remove not other as Michel Gondri (Human Behaviour). The album comes to the end with one more duet with Anthony. Here only now before us not developed composition, and something like an epigraph to all plate. That is curious, intonations My Juvenile unambiguously remind melodiku Cetacea from, and accompanying 2.5 drive hard notebook tools at these two songs are rather close - in My Juvenile we hear clavichords, and in Cetacea chelestu. Accident? No, certainly. In fact Cetacea too the tenth track, and too final vocal number, an epigraph (both to a soundtrack, and to film). So, what answer to a question put in the beginning of clause will be? Whether Has returned B'ork in a new album to style or has continued vanguard experiments? True, as always, in the middle. No returning is present and could not be, however, essentially new (as it was in or) we here too do not observe anything. A turn of experiments has ended (or. At least, has stopped). And now B'ork with all skill and art force uses those style receptions which to it have been found in three previous albums (including a soundtrack to film Matthew Barni). In melodic plan Volta is easier, than Medulla and even Vespertine - here there is less than polyphony and much more than remembered intonations 2.5 drive hard notebook and turns, as in early albomah. However, by way of tool support Volta - direct successor Music for the Drawing Restraint 9. Up to that B'ork takes the whole fragments from tool numbers of a soundtrack. Plus to everything, in favour of avangardnosti Volta is spoken with two features, characteristic in general for all academic avant-gardism of second half XX century is an interest to non-european cultures (as well as in DR9, B'ork uses here exotic tools) and aspiration to full clearing a musical fabric of fetters of a tonality (still in Medulla we marked vnetonal'ny'e fragments). Album B'ork Volta has left in two variants: standard (CD) and two-disk Limited Edition (CD+DVD). We also consider it. The edition very unusually is issued. The matter is that the booklet with texts of songs and disks are placed in the numerous envelopes combined as a nested doll. Envelopes are packed into the red cardboard box sealed by an emblem of an album (frukt-pererostok on legs). It is supposed, that 2.5 drive hard notebook this label needs to be removed at the first opening the edition. But if you wish to keep the edition in initial shape envelopes can be got, simply having opened a box from above or from below. As a whole of impression of the edition dual: all this is original, but diko is impractical and it is inconvenient. Besides, design of a cover - we shall directly tell, on the fan. The first disk - usual Audio CD similar to a disk from the standard edition. Any bonus-trekov or materials for CD-Rom here are not present. Alas, Mark Bell's remix on I See Who You Are is presented only on the British and Japanese editions whereas on testing in our edition there were American and Russian variants of an album (about the last - read below). Main advantage Limited Edition - presence DVD-diska with the full audioprogram of an album in DD 5. (3 Kbit/s) and DTS 5. (15 Kbit/s). Polnoe`krannoe the menu statically and silently. In occasion of design - without comments. Alas, no additional materials on a disk are present. As if to a six-channel mix it is very good 2.5 drive hard notebook though it it is not so obligatory for the given music (in difference, say, from through polyphonic Medulla). Sound producers B'ork still very freely use all six columns - for example, the voice can sound from rears whereas bats will appear in a face-to-face plane. Or on the contrary... At times it strengthens effect of immersing, at times simply creates additional volume, but as a whole I can not tell, that Volta it is necessary to listen only in a multichannel mode. And - yes, without questions. And here Volta - depending on your preferences. Russian edition Volta includes only one disk with the standard audioprogram of an album (without bonus-trekov) and is delivered in usual jewel-case (glass). It is curious, that kover-art editions differs from universal: instead of frukta-pererostka we see on a cover one of the staff of photosession to Earth Intruders. But it not so is sad, as that has occured to the booklet. Instead of glossy dvenadcatistranichnoy knijechki 2.5 drive hard notebook we have received a four-page leaf (and, one of the parties - a cover, and another - gratitude B'ork on Icelandic). Thus, texts it was necessary to find room for all on an internal turn. As a result without a magnifier their prohonour it is very problematic. But, one conclusive plus of the Russian edition with interest compensates (at least, in opinion of ordinary buyers) poor registration is the price. Instead of 500-6 roubles (for the one-disk American or European edition) the Russian music fans can pay only 2 roubles and receive the same audioprogram. So, whether there is a sense to fork up on the two-disk edition or can in general it is necessary to save and take the Russian reduced the price variant? Finally to solve, certainly, to you, but in my opinion Limited Edition 2.5 drive hard notebook does not justify the price. Yes, the six-channel sound is well, but for 10 roubles (namely so much you should lay out for it) we have the right to expect also clips, and additional materials, and, eventually, any bonus-trekov (for example, remixes on Earth Intruders, accessible now only through Apple iTunes). For comparison: the album in the first days has left on DVD-A and SACD, and they cost about 6 roubles, and in the past to year it was pereizdan on DualDisc, where (besides a six-channel sound) clips to an album have been added all. Thus, the price even has a little decreased in comparison with SACD/DVD-A and became similar CD-izdaniyu. Thus, cost Volta Limited Edition is represented absolutely unreasonable. Besides, new album B'ork and in stereosounding is magnificent. As if to a choice between one-disk Russian and European editions here all depends on that, how much to you registration is important. If you dare to lay out 5 roubles then try to find the British edition - there there is a bonus remix which is not present either in Russian, nor in the American variant. Other discussions in conference:

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